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Blog

On Writing ‘Path to the Night Sea’ by Alicia Gilmore

February 9, 2018 Leave a Comment

Alicia Gilmore, Regal House authorI have always loved reading and creating, with words, with paint and pencils, from joining a Creative Writing class as a child – as an asthmatic and more than a little uncoordinated, team sports were never my forte – to studying art and then writing at university. Since childhood, when I realised that someone had created the book I held in my hand, I have wanted to write. To create. Perhaps it was reading Little Women and wanting so fiercely for Jo to succeed, to be Jo, or alternatively her sisters and enter the Marsh household. Perhaps it was Alice in Wonderland and wanting to throw myself down that rabbit hole. Books were a perfect escape when I was indoors with another bout of bronchitis. They gave me the world. From those tame beginnings to discovering books could not only captivate and inspire me, but thrill me and scare me, keeping me up at night reading under the blankets with a torch. Books introduced me and immersed me in new worlds.

Looking at art, being captivated by passages of paint, the use of light and shadow, thinking how did the artist do that? Reading novels and admiring the skill, the clever hints and clues, the beautiful play of words, wondering how did the author conceive of that? How did they do that? There have been more than a few false starts, a multitude of drafts, dreadful poems and sketches that will never see anyone else’s eyes but I love the process, being swept away into another space, another moment, when reality (and the day job and all the ordinary, everyday concerns) subside.

Path to the Night Sea by Alicia Gilmore, a Regal House authorPath to the Night Sea started as a short story in a fiction class with Sue Woolfe. Sue had given the class a selection of photographs and objects to spark our creativity and give us a physical stimulus to write a short fragment. I remember a small glass perfume bottle and a photograph caught my attention. The photo featured a woman in profile, seated at a piano, her hands poised to strike the keys. There was a cat sitting on top of the piano, and I wondered if these were the two most important things in her life – music and her pet. I started to write about this woman who would sit and play, not looking out of the curtained window, but indoors with her cat. Her face in profile, her ‘good side’… The perfume bottle that perhaps had belonged to a woman who would never get hold. A bottle that held scented memories… Ideas and elements came together and what is now a lot of Day One in the novel formed the original short story. Sue read the story, said I had written the start of a wonderful novel and she had to know what happened to Ellie. I realised so I wanted to know too.

Coal Cliff, Australia, setting for Path to the Night Sea, a Regal House title
Coal Cliff

The story became darker the more I delved into Ellie’s world. Seven days seemed the fitting structure for Ellie to be introduced to the reader and for her to seek her path, tying in with the religious dogma she’d heard from her Grandmother and Father. Listening to music by Nick Cave and Johnny Cash helped me establish the mood at times and gave me the impetus to embrace the flaws and the darkness. When I was writing the first drafts, I was living near the beach and the waves, particularly during storms, formed a natural soundtrack. If I peered out from my desk, I could catch glimpses of the ocean. By the time editing was underway, I had moved to a house that backed onto the bush and had inherited a cat. Listening to the raucous native birds, possums scurrying up trees and across the roof at night, dealing with the odd snake and lizards, plus watching the cat, heightened those natural elements of the story.

coal_cliff_viewI was concerned about and for my characters. I needed to ensure that Arthur in particular had moments, however fleeting, when he was ‘human’, and that Ellie, despite her circumstances, not be passive. I found myself going off in tangents in early drafts with minor characters and subplots but judicious readers and editing brought the focus back to Ellie and Arthur, and the confines of restricted world they inhabit.

I had thought of letting Ellie go one morning years ago when I woke up and heard the news about Elizabeth Fritzl kidnapped and abused by her father. In my drowsy state listening to the radio, the reality of her situation came crashing in and I wanted to put my humble writings aside. What was fictional pain in the face of such devastating reality? Even in 2018, the newsfeed this week is full of children being trapped at home by their parents, the neighbours unaware. Path to the Night Sea is my way of using language to explore familial dysfunction, small town horror, and ultimately, hope.

Regal House author Alicia Gilmore

 

Alicia Gilmore lives in New South Wales, Australia. Her debut, Path to the Night Sea, is a contemporary gothic novel exploring the dark secrets hidden within an otherwise idyllic coastal setting. Alicia has had short stories published in Phoenix and Cellar Door. In 2012, she was a contributing writer and lead editor of Burbangana. In 2009, Alicia received an Allen & Unwin / Varuna Publishers Fellowship that included a residency at Varuna, the NSW Writers’ Centre.

Filed Under: Regal Authors, Regal House Titles Tagged With: Alicia Gilmore, Path to the Night Sea, Regal House, regal house publishing

Written on the Wind

January 3, 2018 Leave a Comment

mountain view in GeorgiaHalfway to Tallulah Falls, my son spills his entire bottle of Gatorade into his lap. “Um, Mommmmmay?” He says in a tentative, keening voice, emphasis on the last syllable, the way he always does, adding a frantic edge to what is not really an emergency. “I spilled my drink.” I sigh, tilting back my own water bottle and taking an eager gulp. Thankfully I have leather seats, though we didn’t bring any spare pants and I have no idea how he’s going to hike down a mountain with his butt soaked through.

“We’ll figure it out,” I say to my husband, who is in the driver’s seat, and turn up the radio, melting into the sunlight-warmed car, listening to the equally sunny, warm voice of Chris Cornell. I’m happy, because I’ve just signed a contract with Regal House Publishing for my much-beloved-and-agonized-over manuscript, Monarchs Under the Sassafras Tree. I haven’t told anyone yet, save for the two people in this car with me, and my friend Alice. We are taking an impromptu drive to the mountains – one of my biggest sources of inspiration, and part of the novel’s locale – to celebrate. We’ve had coffee and breakfast already, and soaked pants or not, we’re going out into the air to watch the last remnants of autumn drift from the trees. The burgundy, green-yellow, and day-glow orange of the leaves cannot wait for us any longer.

The mountains are my happy place. Long before I ever knew I had ancestors who hailed from there, I relished my visits to Helen, to Hiawassee, to Tallulah Gorge, to Mt. Airy. There is a quality to the air, and it’s not just the clean, thin breath of the mountain, the fog that settles over the crisp leaves – it’s the spirit there, the life-force. You can taste it, you can feel it running over your skin, making it cool. The way the light falls on the red earth, the mottled gray-brown trees, the blue of the sky – like the most underrated colors in the Crayola box, they alight my senses and make me breathe in deep. If you listen, you can hear the whispers of the trees.

Lillah Lawson Regal House authorUp the mountain, we stop in the gift shop and buy the kid a pair of leggings and a piece of rock candy in his newest favorite color; cyan. On the way outside, he stops to study a taxidermied fox. We visit the museum exhibit, and I point out the boxcars, the butter churn, the crisp, thin white dresses with their square collars; all relics from a time gone by, with lessons to be gleaned. He nods, but isn’t really paying attention. What use does an eight year old have for sack dresses? He wants to get outside, into the air, to touch the stone and bark, to walk the paths, to hear the delicious crunch of the leaves beneath his feet, and I don’t blame him.

It is a bond we share, this love of the outdoors. Together we have traipsed through forests in Rutledge, swam in the lake beneath Mt. Airy, stood under Ana Ruby Falls, marveled at the ceremonial mounds in Sautee-Nacoochee, collected shells on the beach at Jekyll Island, touched statues in the square in Savannah, bent down to smell mountain herbs in Hiawassee, dipped our feet into the creek, counting turtles basking in the sunlight in Athens, and stood on the banks of the Oconee River in Nicholson, Georgia, fishing with my Papa.

Callum and Georgia MountainsWhen he was two he wandered off while I was putting his carseat in – I turned and he had vanished. Those ten minutes felt like hours, and when we found him, he was wandering out of the woods – the forests in Oconee County are heady and thick with skinny, gray-brown pine trees, tall and imposing, but full of a gentle kind of calm, as though benevolent ghosts might pass their days there in a cocoon of sweet silence – with our little beagle in tow, humming a little tune as his fat, toddler hands grazed each tree, oblivious and full of joy. He is a natural wanderer, my kid – and while it isn’t always ideal, and are sometimes stressful, these wanderings – I always understand them. I always understand him. In so many ways just like me, but in others so wholly different, so pure and clear-eyed and awake. I feel I know him better than I’ve ever known myself. He is a natural wanderer, fluent in the woods, a real-life tree hugger. He has always felt at home there in the silence of the woods, a place where he is heard and understood, nurtured and adored.

It is a gift I passed along to him, the one I’m most grateful for. Just like every other kid his age, he’s more interested in video games, Captain Underpants and YouTube videos than he is anything else, but he’ll stop everything if I say, “Want to go for a hike?”
I make it a point to walk behind him, present and ready should he have need of me, but content to watch his footfalls on the path, clumsy and childlike but full of innocent purpose. He blazes down trails, forgetting us, forgetting all. He has been begging for a compass for years but he doesn’t really want one – he has his own sense of purpose, his own rhythm that he dances to. I think when he’s an adult, he’ll really love Thoreau.

Georgia mountain streamWhen he graduates high school, I plan to take him on a hike through the Appalachian Trail. I haven’t told him yet, but it’s a secret dream. It seems poignant, appropriate. I can picture him, sweaty blonde hair, cheeks flushed with red in the cool air, panting with exertion, a heavy backpack weighing down wide shoulders. Undoubtedly he’ll have spilled his Gatorade on his pants, or tripped and skinned a knee, but there will be joy.

For now, my husband and I follow his lead, his skinny legging-clad legs pumping double time down the small trail, as though we’re late for something important. As it turns out, we are – just as we arrive at the first viewing platform, the people gathered there drift away and we see that the noon day sun has just settled on the trickling water, glinting off the rocks, making them look like diamonds. It is what photographers call perfect light. The water pools, and the cool air hints at what it might feel like to dip your fingers in. We stand there, forgetting to take our photos, content instead to just stand and bear witness. People fall away, and it’s just us there, the rock solid and welcoming beneath our feet, the water below quietly trickling a Hello.

My son takes a mischievous look around, and seeing no people in his vicinity, gives us a sly grin and lies down right on the rock, spreading out his arms and legs, closing his eyes and tilting back his head to the sun. He is making a stone-angel.

I laugh, shake my head, and say, “You’re ridiculous.” It’s true, but its said with the utmost love and respect, because it is a kind of ridiculous I understand, and covet, and miss.
He grins, but doesn’t answer. There’s no needs for words here. They are all unspoken, written on the wind.

Regal House author Lillah LawsonLillah Lawson is the author of the upcoming work of historical fiction Monarchs Under the Sassafras Tree. When she isn’t writing, you can find her out traipsing through the forest, cycling, playing bass, or parked in a corner with her nose in a book. She currently resides in North Georgia, where she lives out in the country with her husband, son, her two sardonic cats and a goofy dog.

Filed Under: Regal Authors Tagged With: Georgia, Lillah Lawson, Monarchs Under the Sassafras Tree, Regal House

A Devotee of the Bean Finds (After Decades of Searching) the Perfect Brew

December 3, 2017 Leave a Comment

I have long been a devotee of the bean, and the search for the perfect brew, for that truly spectacular blend of arabica and artistry, has been an ongoing, life-long quest. Travels hither and thither across the globe have been defined and remembered by the superior cups of coffee savored in one locale or another. High on the list is Café De Pause in Marburg, Germany, a gorgeous nook of a place filled with stovetop espresso pots of various size and description. Kokako in Auckland, New Zealand, a sleekly appealing café with in-house roasting and organic beans, is another member of this club. Surprisingly, the Delta Club Crown Room at Amsterdam airport, where I downed five much-savored cappuccinos also merited a place in the ranks of my favorites.

More recently, however, my quest has revolved around my new neighborhood of Raleigh, North Carolina. Last year, when we moved to our current abode, I began the trek from one coffeehouse to another in search of the perfect java. My requirements were most particular: the ideal coffee would have a depth of flavor, an earthy intensity that lingered on the tongue. The brew needed to be rich, velvety, impossibly smooth; the beans, organic and freshly roasted. I went from one café to another in a fruitless search for Raleigh’s best coffee and, while some were good, none quite managed spectacular.

Brian Hereghty, Director of Sales at Joe Van Gogh Coffee
Brian Hereghty, Director of Sales at Joe Van Gogh Coffee

None, that is, until I took a short drive out to Hillsborough and visited the home base of Joe Van Gogh Coffee. Brian Hereghty, the Director of Sales at Joe Van Gogh (who just celebrated their twenty-fifth anniversary!), kindly took me on a tour of their impressive facility. The front offices opened up into a spacious back-room that accommodated the tasting bar, the massive bins of imported organic and conventional beans, the sumptuously gleaming brass and steel roasters, and the packaging center where the freshly roasted beans were sorted, weighed, bagged, and shipped off to their lucky recipients.

Brian Maiers, Product Development - Beverage
Brian Maiers, Product Development – Beverage

Joe Van Gogh Coffee at Hillsborough is not so much a processing facility or a warehouse as it is the home of artisans who care deeply about perfecting the art of importing, roasting, grinding, and brewing the most divinely delicious cup of coffee the planet has to offer. Brian Maiers, the professional barista whose tasting station is a beautiful ensemble of chrome panels, infusion systems, and steel arms (a diminutive Star Trek shuttle pod on steroids), made me a latte. It was unspeakably spectacular! A richly smooth concoction that tasted of earth and sun, of chocolate and nuts—a Zen moment, when my global search for the perfect coffee had at last come to a delectable conclusion. Imagine my joy and delight to find it in my own new backyard!

There are other tangibles that contribute to my recent adoption of Joe Van Gogh Coffee as my all-time favorite coffee source. JVGC is not motivated by shareholders’ profits or corporate bottom lines, nor are they regimented by protocol; Joe Van Gogh Coffee, founded and led by the intrepid Robbie Roberts, is, above all, about nurturing the health and happiness of others—of the farmers and brokers with whom the company works, and the small but devoted Hillsborough team upon which the company depends. Work hours are flexible, and employees have the option to travel to the sustainable farms from which JVGC obtains its beans but more on that anon. All Joe Van Goghvians are united in their passion for the bean.

Kevin Swenk, Roastery Operations Manager
Kevin Swenk, Roastery Operations Manager

Kevin Swenk, Roastery Operations Manager, explained how the company integrates this passion into its guiding philosophy. He discussed how the company wants “to feel good about the sourcing choices we make,” and went on to say that, while fair trade is good because it ensures that a “minimum wage payment is being made to suppliers, and it puts money back into infrastructure which encourages other kinds of trade … a living wage is better. That’s what we offer our brokers and suppliers. We believe deeply in our relationships; we want our partners to be successful. Ultimately, Joe Van Gogh Coffee is all about equal treatment no matter who you are, where you are from, and which way you lean.”

 Nicole Dutram, Head Roaster
Nicole Dutram, Head Roaster

In keeping with this philosophy, JVGC prides itself on purchasing beans from carefully selected farms and co-operative programs such as Café Femenino, which  empower women pickers, growers, and exporters of coffee beans; farms like Mogola in Honduras, where Don Manuel has devoted his life to the growth of the community and the workers who tend the crops; farms like Selva Negra in Nicaragua, an astonishingly sustainable operation where schools, clinics, and organic kitchen farms supply farmworkers and their families with every possible need.

Joe Van Gogh CoffeeSo every time I enjoy a cup of Joe Van Gogh’s finest, I feel a thrill of pleasure that I, too, in the purchase of a bag of beans, am playing a small part in supporting such marvelous enterprises: sustainable farms where workers are family and the land is cherished, and a coffee company that has quietly built its success by elevating others. And they make a damned fine coffee to boot. What more could a discerning coffee devotee ask for? Now I just have to get Brian Maiers to move into my spare room with his Star Trek coffee-contraption in tow.

Joe Van Gogh Coffee

505 Meadowland Drive, Unit 101

Hillsborough, North Carolina 27278

Jaynie Royal, Founder and CEO of Regal House Publishing

Jaynie Royal is the Founder and CEO of Regal House Publishing, Fitzroy Books, and Pact Press. She is passionately devoted to publishing finely crafted works of literature, to nurturing meaningful partnerships with a diverse group of authors, to building and fostering a sense of community, and to find ways in which Regal and Pact can support worthy nonprofits. Jaynie is the author of a work of historical fiction, Killing the Bee King, and lives in Raleigh, N.C., with her husband and three children.

Filed Under: Coffee Tagged With: coffee, Joe Van Gogh Coffee

Julie Rowe : Raleigh Artisan Potter

December 2, 2017 Leave a Comment

Julie Rowe and Jaynie Royal
Julie Rowe and Jaynie Royal
Jaynie Royal spent an afternoon hanging out in the lovely light-filled studio where Julie Rowe, Raleigh potter extraordinaire, showed her the ins and outs of clay potting, wheel techniques, and the glazing process. Julie Rowe has created a line of coffee mugs for Regal House Publishing, each of which is individually thrown on the potter’s wheel using high-fire red stoneware, and featuring the Regal crown. True to the Regal mandate, and in line with our desire to support artisan enterprises of the local kind, we are absolutely delighted to feature Julie’s beautifully crafted work on our website.
Can you tell us a little about how you first started potting? (Is that even a word? Or would you say “creating clay items on the wheel”? Would you be described as a ‘potter’? Or no?)

Julie Rowe, Raleigh artisan potter and Regal House coffee mugsArtists who make things on the wheel are considered potters. Artists who make things with clay by hand ( via slabs, coils, pinching & sculpting) might be considered ceramic artists. I consider myself both as I love both processes equally. I began college in New York as a drawing and painting major. I happened to see some of the work coming out of the pottery studio and knew I had to take a class. Once in the ceramic studio, I was hooked. For the first two years we were only allowed to use hand-building techniques. Then we had one brief lesson on the potter’s wheel, and it was so much fun that’s where I stayed, for the most part, for my last two semesters. I graduated from State college of New York, Brockport.

What do you love about the process of creating on the wheel?
The wheel process is probably the closest thing to meditating that it gets for me. The first step is called “centering’ the clay. And the slow mechanical yet fluid  steps that follow allow yourself to concentrate on that alone. Many of my students have said its very relaxing. You’re concentrating on  what is happening between your fingers and the clay, the rest of the world disappears for a while.
Do you find the Raleigh area to be supportive of this kind of enterprise? There seem to be a number of fairs/craft shows – would you say Raleigh is a strongly art-focused city? How important is this to one in your business? Are most of the opportunities local or do potters travel far afield to sell and showcase their goods?
After having lived in both Charlotte and now Raleigh, I can honestly say, Raleigh is extremely potter friendly. After moving here in 2007, I immediately signed up for a class at Sertoma Arts Center, part of the Raleigh Parks and Recreation Dept. Their studio is a fantastic place to create and meet like minded people. About 99% of my friends are potters. There are a number of craft shows and fairs available for ceramic artists to sell their wares. Currently I have a booth inside the Pottery Expo tent at the State Fair. For nine days fair goers have access to purchase from more than fifty potters there. North Carolina has a very strong history of pottery, partly due to the abundance of clay in the soil here. I also participate each year at the Boylan Heights ArtWalk, the first Sunday in December. It is a five hour outdoor show with very loyal supporters. And four out of five years , the weather has been great!
Do you have any advice for beginning potters?
I teach many adults how to use the potters wheel and how to hand build at the Clayton Community Center. Everyone learns at their own pace. For some the challenges of the wheel are overcome intuitively, some not so much. Patience, practice and persistence is my motto.
What are your favorite items to make on the wheel and why?
I was asked this question by one of my students recently and after a little thought I told her, anything new. I love working on new forms and processes that I had never tried before or just saw on Pinterest or in a video. I get bored quickly once I’ve mastered something and want a new challenge for myself. Right now I am working on creating cake stands. They are a two-part piece that needs to be technically correct as well as aesthetically pleasing.
What do you find to be most inspiring insofar as coming up with new designs is concerned?
Pinterest!  On days I lack motivation I get on Pinterest and see so many cool things that other artists are making with clay and I cant get to the studio fast enough to try something out and put my own “spin” ( pun intended) on it!
Regal House coffee mugs in production
Regal House coffee mugs in production
Regal mugs pre-glazed
Regal Mug with Azure Glaze

Filed Under: Regal House Coffee Mugs Tagged With: coffee, Julie Rowe, pottery

The Seeds of Curva Peligrosa

December 1, 2017 Leave a Comment

When six-foot Curva Peligrosa rides her horse into Weed, Alberta, after a twenty-year trek up the Old North Trail from southern Mexico, she stops its residents in their tracks. A parrot perched on each shoulder, wearing a serape and flat-brimmed black hat, and smiling and flashing her glittering gold tooth, she is unlike anything they have ever seen before. Curva is ready to settle down, but are the inhabitants of Weed ready for her? With an insatiable appetite for life and love, Curva’s infectious energy galvanizes the townspeople. With the greenest of thumbs, she creates a tropical habitat in an arctic clime, and she possesses a wicked trigger finger, her rifle and six-guns never far away.

Then a tornado tears though Weed, leaving all the inhabitants’ lives in disarray and revealing dark remains that cause the Weedites to question their very foundations. And that’s how the novel starts, with the twister hurtling Curva’s purple outhouse into the center of town, Curva inside, “peering through a slit in the door at the village dismantling around her.”

From then on, we follow Curva and the Weedites as they recover from the chaos that follows. As the above synopsis shows, a good portion of Curva Peligrosa’s narrative takes place in the fictional small town of Weed, Alberta, about twenty-five miles from what is now a major city, Calgary. When I, Lily MacKenzie, left the city in 1963, the population was two hundred fifty thousand. Today, Calgary, and its environs, has well over a million people.

While Curva Peligrosa doesn’t have autobiographical roots (I’m not Mexican American or six feet tall. Nor do I have a gold tooth!), it does have some parallels to historical moments in the province. When I was growing up in that area, agriculture was the main source of income. But in 1947, significant oil reserves were discovered at Leduc, Alberta, ushering in the oil boom that continues today. The excitement over extracting black gold from the earth brought job seekers and others to the area, eager to exploit the province’s riches.

I must have registered these developments subliminally, even though it wasn’t something I was particularly conscious of at the time. And as a young woman, I did secretarial work for Sinclair Canada Oil and other American petroleum companies. Impressionable, I thought the Texas accents signified power and prosperity and wanted to emulate them, faking a drawl whenever I could. It took me a while to realize that, in fact, many Americans were taking over our land and much of its oil.

My association with these (mainly) southerners fueled my interest in moving to America in my early twenties. Eventually I became an American citizen so that, as a single parent, I could take advantage of California’s university system and earn degrees (a B.A. and two Masters degrees) from San Francisco State. So while my early contact with these oilmen may not have been personally promising at the time, the experience propelled me into seeking higher education that wasn’t then available to me in Canada. However, the earlier image of American oilmen making off with our prairie identity had been planted. It stayed with me, surfacing in Curva Peligrosa and in Curva’s concerns over what she was witnessing in Weed, a town she had recently made her home. But none of this was intentional when I began the narrative. I had no idea then where it would take me.

In the novel, Shirley, an americano who is buying up nearby land so he can own all of the oil rights, represents the kind of southerner from my earlier experience. In Curva Peligrosa, he ends up being a villain in the old sense of the word where many readers will end up booing him. In turn, Shirley seems to embrace that identity and to enjoy the turmoil he is creating, not only in Curva, but also in the Weedites themselves. I had created a kind of Trumpian character long before Trump had brought chaos to America.

Like Curva, I’m not averse to some kinds of development, but I do recognize that the word can be misleading. In certain cases, it might represent growth and advancement for the people involved. For example, the Blackfoot tribe in Curva Peligrosa benefit from the oil wealth. It allows them to build a museum that highlights Native life and also to open their own university. Under the leadership of their chief Billie One Eye, the wealth gives them an identity they otherwise had lacked, even though they sold out to the americano in order to enrich their tribe.

But in many other instances, such development can deplete the land of valuable resources and drastically disturb the environment, improving a few lives but enslaving many, not unlike what we are witnessing today in America. The continued practice of mining and burning coal doesn’t make sense given its harmful effects on the environment. This imbalance becomes one of Curva’s concerns. She also hates how life’s pace has speeded up, not leaving time for the basics, such as enjoying leisurely meals with friends and loved ones, fiestas, and sex.I hadn’t set out to write a novel that harbored a political slant, but once I became involved in Curva’s quest, I didn’t have any choice but to follow along and express her concerns. In the process, I learned how seeds planted in our unconscious early on do sprout and bloom in our writing.

 

Lily Iona MacKenzie is the author of two novels, Fling and Curva Peligrosa, and a poetry collection All This. Her upcoming novel, Freefall: A Divine Comedy will be released in 2018. Lily’s poetry was also featured in the Pact Press anthology, Speak and Speak Again. When she’s not writing, she paints and travels widely with her husband. Lily also blogs.

 

Filed Under: Regal Authors Tagged With: Curva Peligrosa, Lily Iona MacKenzie, Regal House

Book Bound: A Celebration of Independent Bookstores—Microcosm Publishing

October 17, 2017 1 Comment

Microcosm Publishing
2752 North Williams Avenue
Portland, Oregon
97227
503-232-3666
https://microcosmpublishing.com
Visit: 23 May, 2017

Ruth’s Bookstore Safari Part III: Microcosm Publishing—Not Your Mainstream Bookstore

https://regalhousepublishing.com/wp-content/uploads/2017/10/Microcosm-1.mp4

(Full videos will be available soon on our imminent Regal House YouTube Channel)

https://regalhousepublishing.com/wp-content/uploads/2017/09/IMG_0062.m4v

https://regalhousepublishing.com/wp-content/uploads/2017/10/Warehouse-clip.mp4

Microcosm Links to Topics Mentioned Above:

“The Publishing House of My Dreams”

About Microcosm

BFF Subscriptions

Rad Dad Series

Business of Publishing

 

 

Filed Under: Book Bound, Regal House Titles Tagged With: Asperger's, Biel, Bookstore Bound, Bookstore Safari, Celebrating Independent Bookstores, Celebrating Independents, Diversity, Independent Bookstores, Joe, Joe Biel, literary fiction, Marginalized, Microcosm, Microcosm Books, Microcosm Publishing, Oregon, People of Color, Portland, Punk Rock, ruth feiertag, Women of Color

Colorado Pen Show 2017: The Set-Up

October 6, 2017 Leave a Comment

Greetings from the Colorado Pen Show!

 I arrived last night, and even though the show was just starting to get set up, I saw some lovely people and got a peek at some tantalizing journals, papers, and pens. Cary Yeager from Fountain Pen Day gave me an official FPD pin and bookmark (I’m already collecting swag!) and we had a nice chat about the generosity of the fountain pen community. And it’s true: I have never met a group so welcoming and willing to share knowledge (and ink and pens) with even the newest of newbies.

The Andersons were getting set up. They are also extraordinarily kind people who, at earlier shows, have patiently answered my questions and helped guide me to the right pen, the right ink, and the proper accessories for caring for my writing instruments.

The Show looks to be very exciting this year. For more information, check out the web site and this blog for more posts!

Ruth

 

Filed Under: Regal House Titles Tagged With: Colorado Pen Show, community, fountain pens, independent business, ink paper, ruth feiertag

BookBound: Broadway Books

September 25, 2017 Leave a Comment

Ruth’s Bookstore Safari, Part II: Just in Time for the Party!

In Portland, I was able to hit four amazing bookstores. The first was the bijou Broadway Books. Broadway Books is a small indie store, fortuitously located on a busy and popular stretch of the street for which it’s named. (It’s also across from my favourite brunch place, the Cadillac Café, where the food is always excellent and satisfying, the staff pleasant and courteous, and the Cadillac pink and operable.)

The store-front windows of Broadway Books make the shop light and airy, and its well-organized shelves draw customers on to explore the next book, the next topic, the next table. Over the shelves hang poster-sized covers of other volumes for which readers might want to search.

One of our authors, Paula Butterfield, lives in Portland, and she gave me a heads-up that the store was going to be celebrating its twenty-fifth anniversary while I was in town, and I put the party on my calendar. However, I couldn’t help stopping by a couple times before the anniversary fête. Despite its small size, the book selection never feels inadequate. I made four trips into the store, and each time came out with a book or two, cards and postcards, or beautiful wrapping paper. The staff were invariably charming and helpful. I make particular mention of Rose, who was kind and informative both times I encountered her there.

The birthday party on Saturday made it obvious what a community asset the store is. I met a trio of women who had been friends for forty years. Regular customers milled about, chatting, talking books with the owners and staff, having their photos taken at the picture booth set up for the day, and eating cake and drinking champagne. Despite the bustle of the celebration, I saw the staff continuously assisting customers by making recommendations and finding books. One of the owners (alas! I did not discover which one) asked everyone there to please go out and tell the story of their book store, and I am happy to comply with that request here.

Do check out the website for the history of the store and a calendar of events. But the best, most moving tribute to the store can be found on its wall, in the form of a paean by Brian Doyle. It perfectly captures the magic Broadway Books holds for anyone who enters.

P.S. Very shortly after my visit to Broadway Books, Brian Doyle died of brain cancer. Broadway Books has a memorial planned for him on September 21, 2017.

Ruth Feiertag, Senior editor Regal House Publishing

Ruth Feiertag is a senior editor at Regal House Publishing. She has an M.A. from the University of Colorado at Boulder. She meandered towards a Ph.D. but arrived in the realm of independent scholarship and NCIS instead. Ruth is the founding editor of PenKnife Editorial Services, and a member of the National Coalition of Independent Scholars.

Filed Under: Book Bound, Regal House Titles Tagged With: BookBound, Broadway Books, Portland

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